Supported by How Toilets Got a Starring Role in a Wim Wenders Movie A behind-the-scenes look at “Perfect Days,” which features Koji Yakusho as a cleaner of public bathrooms in Tokyo. Reporting from Tokyo As artistic inspiration goes, public toilets don’t usually stir the spirit. Then again, most toilets aren’t like the public bathrooms in Tokyo. So when Wim Wenders, the German film director of art-house favorites like “Paris, Texas” and “Wings of Desire,” first toured more than a dozen public toilet buildings around the Japanese capital city in the spring of 2022, he was enchanted by what he described as “little jewels” designed by Pritzker Prize winners including Tadao Ando, Shigeru Ban and Kengo Kuma. Those stylish commodes provided the creative sparks for his latest movie, “Perfect Days,” which has been nominated in the international feature category for an Academy Award and opens in theaters in the United States on Feb. 7. The movie — a poignant character study of a public-toilet cleaner with a mysterious past who lives a spartan existence and works with the care of a master craftsman — actually had its roots in a bit of propaganda. Wenders had been invited to Japan as the guest of a prominent Japanese businessman who hoped that the director might want to make a series of short films featuring the toilets, which had been conceived as showcases for Japanese artistry and hygienic mastery. Koji Yanai, the son of the founder of Fast Retailing (the sprawling clothing giant best known for its Uniqlo brand) and a senior executive officer there, had spearheaded the public toilet project to be an architectural display of “Japanese pride.” “If I say Japanese toilets are world number one, no one will disagree,” Yanai said in an interview late last year. He had recruited the architects to design the public buildings with a distinctive aesthetic that would make them as much art as public utility. Originally built to welcome the world to Japan for the summer Olympic Games scheduled for 2020, the toilets did not get their moment because the pandemic forced the postponement of the Games to 2021, which were then staged without spectators.
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