NEW YORK (AP) — Grace Bumbry, a pioneering mezzo-soprano who became the first Black singer to perform at Germany’s Bayreuth Festival during a career of more than three decades on the world’s top stages, has died.
She had a stroke on Oct. 20 while on a flight from Vienna to New York to attend her induction into Opera America’s Opera Hall of Fame. She was stricken with the plane 15 minutes from landing, was treated at NYC Health + Hospitals/Queens and returned to Vienna on Dec. 8. She had been in and out of facilities since, Brewer said Monday.
She sang in the choir at Ville’s Sumner High School and won a talent contest sponsored by radio station KMOX that included a scholarship to the St. Louis Institute of Music, but she was denied admission because she was Black. She sang on CBS’s “Arthur Godfrey’s Talent Scouts,” then attended Boston University College of Fine Arts. and Northwestern, where she met soprano Lotte Lehmann, who became her teacher at the Music Academy of the West in Santa Barbara, California, and a mentor.
Bumbry, known mostly as a mezzo but who also performed some soprano roles. was inspired when her mother took her to a recital of Marian Anderson, the American contralto who in 1955 became the first Black singer at New York’s Metropolitan Opera. Bumbry became part of a generation of acclaimed Black opera singers that included Leontyne Price, Shirley Verrett, George Shirley, Reri Grist and Martina Arroyo.
The following year, she was cast by Wieland Wagner, a grandson of the composer, to sing Venus in a new production of “Tannhäuser” at the Richard Wagner Festival in Bayreuth. Bumbry’s casting in a staging that included stars Wolfang Windgassen, Victoria de los Angeles and Dietrich Fischer-Dieskau resulted in 200 protest letters to the festival.
“A voice of very large size, though a little lacking in color. It is a voice that has not as yet `set,′ as the teachers say,” Harold C. Schonberg wrote in The New York Times. “She is obviously a singer with a big career ahead of her.”
“Grace Bumbry was the first opera star I ever heard in person in 1967 when she was singing the role of Carmen at the Met and I was a 13-year-old sitting with my parents in Rudolf Bing’s box,” Gelb said. “Hearing and seeing her giving a tour-de-force performance made a big impression on my teenage soul and was an early influence on my decision to pursue a career in the arts, just as she influenced generations of younger singers of all ethnicities to follow in her formidable footsteps.”
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