Because the pair, who also serve as showrunners, concluded their series with a sneakily acute storyline that proves that goodness, as the bombastic way it’s often defined today, is actually unachievable. This isn’t to offer lenience to Schneider and Kelly over the allegations of toxic behavior, of which they’ve both reportedly been cleared. (Sources told The Hollywood Reporter that staff complaints of verbal abuse and being overworked were not related to the cancellation after Season 3.)
Rather, this is to suggest that absolute goodness is a myth. And that Brooke and Cary (Heléne Yorke and Drew Tarver), the deeply flawed siblings at the center of “The Other Two,” exemplify throughout the show’s third and final season how the desire for righteousness is often contingent on how it will make us look — not the actual act of being righteous.
That’s a cynical perspective on a subject that has been ruthlessly dissected in today’s hyper self-moralistic culture. But “The Other Two” depicts it so well and lightheartedly that you can’t help but smile at the bleak truth behind it.
As fans of the series know, being a good person has never really been a priority for Brooke. But Brooke would be the type of person who would manically descend down a path to goodness because that has now become as important as any social currency — and she is nothing without her need to be admired by a bunch of strangers.
And that’s exactly what she does. First, she quits her job as her pop star brother Chase’s (Case Walker) co-manager. She tells herself she wants to find a more meaningful career. But then she can’t really pull herself away from Hollywood because (1) wanting to be part of the Hollywood “in crowd” is about half of her personality and (2) she doesn’t have any other employable skills.
She goes as far to helm a telethon in Episode 7, aptly titled “Brooke Hosts a Night of Undeniable Good,” that encompasses a series of problematic things. Those include a homophobic sponsor, a Parkland survivor with Covid and locking the Covid marshal in a broom closet in order to see her night of good through to the end.
Despite all the odds, and there are odds aplenty, Brooke actually gets nominated for a Peabody Award for all her effort. Is she now good? That’s the kind of question that chronically online folks seem to argue about every time a celeb fave does something unsavory only to do something marginally good the following week. There is no real answer.
That includes the wonderful Lance, who finally dumped Brooke earlier in the season and — on top of his professional altruism — has now been named People magazine’s Sexiest Man Alive. For the audience, it makes total sense that Lance would land the very popular magazine cover. He’s handsome, he’s nice and, most important, he’s always been good.
One of the sharpest things about Schneider and Kelly’s show was that it is extremely cognizant of the fact that even at our best, we can be at our moral rock bottom. That reason alone made it an even more pointed satire about Hollywood.
Take, for example, Brooke learning about her Peabody acclaim moments after she accidentally set her now ex-boyfriend’s apartment building on fire looking for evidence that he hired a publicist to land the People cover. Not because that is something he’d totally do but because that’s what he needs to have done in order for her to feel better about herself.
Just look at Lance, the good one. While Brooke didn’t find any proof that his People title was a fraud, he admits to Brooke that he did in fact hire a publicist in the series finale. Because, as he puts it, magazines like People aren’t looking for hot nurses to feature, no matter how good and necessary they are in society. They’re looking for celebrities. And they carve whatever story around that.
Though a satire at its core, “The Other Two” has never existed inside a bubble. Its conflicts were real. The characters were deeply human even at their most abhorrent. And in its final season, it gave us deft, laugh-out-loud comedy that even at its most depraved was filled with heart. It was perfect.
This content was originally published here.
